RadioHedgeFund

This is a bit unfair.

Tomb Raider 1 is a chonky classic
Tomb Raider 2 was too Hollywood
Tomb Raider 3 was too hard
The Last Revelation is the best game in the series
Chronicles has some interesting ideas
The less we say about Angel of Darkness the better.

@BrettAwesome I get why they wanted to move away from a Tenchu/Tsushima/Onimusha backdrop. Yasuke was a historic character whose story has never really been told before. Just like Adelain in liberation I think it a bold artistic choice rather than a box ticking exercise.

The price for a niche, enthusiast device that wasn't meant to sell in large numbers isn't that bad.

The issue is Sony thinking they can get away with it going forward. Thanks in no small part to Apple, we live in an age of 'reassuringly expensive' that has gaslighted people into thinking cheaper products must be inferior. Taken from a cold start with no prior affinity I'd question for example whether anybody really needs a phone better than a Pixel 8a (say).

If Sony convince the market that £700 should be the going rate for the Playstation 6 then we're in trouble.

Then again the Switch may well go on to becoming the best selling console of all time so what do I know.

Sony doesn’t need to see growth in old franchises; it needs to keep its audience happy. There is nothing wrong with only having 3-4 tent pole first party releases per year if you have cheaper, smaller titles to fill the void.

Would it really cost that much to remaster Uncharted? Motorstorm? Wipeout 2097? How about porting some dead PS3 games whilst we’re there? I could go for a rerelease of Calling All Cars or Rub A Dub.

At the time I really didn’t like it at all. They swapped anime for the cast of Hollyoaks and casting spells made your stats go down.

However time has been kind to VIII and it’s become my favourite game in the series! Triple Triad is a delight and you can really abuse the draw system by converting rare cards into powerful spells. The world is really fleshed out, with governments and politics. It’s less ‘videogamey’ than the nonsensical world of FFVII where a Totalitarian British Gas decided to make Captain America and as a result more believable.

The collegiate atmosphere is brilliant and yes, it has the best soundtrack in the series.

I’m amazed the games actually ‘stream’. Most of these titles are so small they would download in seconds and just live in your RAM until you turn off your device. This way there would be no lag or glitches with only the same data needing to sync back to the server.

I love new IP. The industry cannot recycle ideas forever. But come on!

Make a new WipEout: sell 3m copies
Make a new Locoroco: sell 3m copies
Make a new Patapon: sell 1m copies

It’s not rocket science here. These are smaller niche IPs that sit well alongside the big budget titles. Make them!

"Sony needs a cash cow, because its single player games are costing too much and taking too long to make."

Its called smaller titles. Not every single player game needs to be Horizon or God of War. They funded the PS4 games through extensive remasters of old PSP and Vita titles and smaller games like PS All-Stars.

The PS5 has thus far been a letdown for those of us who loved Sony's quirky, smaller titles and its older franchises. WipEout HD proved that quality can be done on a budget and Omega sold 2.5m copies. Loads of PS3 games still languish: why not do a 4K remaster of Calling All Cars or Super Rub-a-Dub with loads of new levels? Remasters of Motorstorm?

They think too much in percentages. Consoles are far from dead, but as the mobile slice of the pie explodes in size it makes consoles look like they’re shrinking.

@BecauseBecause 2 is loads better than 1; it’s just it still has a ‘duct taped together’ feeling.

Does inflation really have an impact on game development? Wages go up of course as do the electricity bills. But it’s not like making a game uses some finite physical resource constricted by supply chains and shortages. Software and code is ‘infinite’.

Some people will say graphics cards are the fuel of game development, to which I would say only based on your platform of choice. Eric Barone didn’t use a cutting edge rig to build Stardew Valley.

That is to also say I paid £60 for Majora’s Mask in 2000 and £60 for Tears of the Kingdom in 2024

Timesplitters 2 wasnt really much better than the original, stringing together a loose campaign to pad out its exhaustive multiplayer.

Future Perfect gave it an amusing story and some spit and polish on top of the still top-notch multiplayer. Easily the best in the series.

And yet none of the trilogy have a multiplayer as good as Perfect Dark. I always found that curious.

There’s only one thing I need to know: did they bring back David Hayter?!

These are the same PS*’s that only seem to exist for some digital collectors mumbo jumbo, right? Or can you exchange them for currency like Nintendo Gold Points?

I think he means that there is a large number of entitled console gamers who think the industry revolves around them. Any game not catering to their tastes and whims is dismissed as ‘casual’. The majority of the games-playing public see it as a feature on another device, not a thing unto itself.

I smell pre-rendered gameplay footage. Why is it randomly switching between first and third person?

Great. Now they’ll make even less.

They could start by just enabling all the old campaigns so you can play the whole Destiny 2 story from start to finish.

Why not just make a classic multiplayer title with death match, team death match and some sort of co-op mode?

Halo Infinite never worked as a live service title but my word it’s still a hell of a lot of fun just jumping into a game of Slayer or Firefight.

A $Billion is a lot of money to stop Microsoft buying them to reboot Halo.

“Did you ever think the sluggish PS Store on PS3 would remain online in 2024 BCE?“

I know Ken’s claims about the Cell were pretty wild but I never knew it could do time travel!

What’s he moaning about? Microsoft had a ton of free marketing this very weekend!

A better option would be to animate it. Get Studio Mir onboard to create the visuals and involve the original creators in writing the scripts. They could do a dual-timeline story fleshing out the world of Sobek and Faro alongside Aloy’s time. It would be a lot cheaper to make.

Beloved is a strong word. It was a comfortable 7/10 at the time but not really memorable.

I really wanted to love Sekiro. The setting and story looked wonderful. But the only way I could even make it past the boss in the prologue was to just leg it.

These games don’t need an easy mode to cater for crap players like myself. They need some cheat codes so we can practice without dying! It wouldn’t hurt to put an invincibility cheat in there would it?

Ignoring the obvious difference in console sales for a second it’s kind of ironic seeing Sony turn to backwards compatibility to fill in a sparse release schedule after Microsoft did the same thing with the Xbox One!

Woah

Woah

Woah.

I will not hear the name of Core Design forgotten in these parts. Outside Tomb Raider they made some great games, many of which are also deserving of a remaster.

An HD update of Herdy Gerdy or Project Eden would be great.

@Neverwild I’m just going by E3.

MIA from Gamescom or the industry at large?

How ironic that Microsoft is filling in Sony’s sparse release schedule!

Section 50A of the UK Copyrights, Designs and Patents Act 1988:

“It is not an infringement of copyright for a lawful user of a copy of a computer program to make any back up copy of it which it is necessary for him to have for the purposes of his lawful use.“

Sony’s EULA isn’t worth the bytes of the .txt file it’s typed on.

The law doesn’t just suddenly change because the software code is written to a server instead of a disc of some sort. If I have paid for software and have the receipts to prove it its mine to pass on as I see fit.

@SuntannedDuck2 Sony just about bodges their way through the PS4 era with lots of PSP ports and remasters in between the main course titles and they were all welcome. They also bankrolled titles like Everybody’s Gone to the Rapture.

The PS5 has since seen studio closures and not half the investment in ‘palate cleanser’ titles. Yeah some indie games have worked out but none of these are first party and if you’re not going to release your own games then gamers may as well buy a PC.

The reason the PS5 is doing so well is because casual gamers (who are still a vital part of the market) just want something to play FIFA, CoD and GTAVI on.

The Switch has decimated all the other platforms because Nintendo are committed to a release schedule of one big title per month. This isn’t necessarily a first party title and it might be a niche title that only interests 5% of players at any one time. However it also shows that no audiences are getting left behind.

Why don’t Sony add trophies to these titles that then feeds back into main PSN accounts?

Fortnite only works because, much like Netflix it met players where they are.

If Sony wants its piece of the Live Service pie it needs to think of those titles as revenue drivers rather than console sellers and bring them to Xbox, PC, Mac, iPad and Switch (2).

The audience hype for Astrobot together with Sony’s time given to Concord tells you everything wrong at PlayStation right now.

My Problems with the PS5:

• It’s too big and won’t fit under my tv
• No games console is worth more than £300
• 80% of its big exclusives are already on PS4
• I find the DualSense to be too heavy
• FFXVI will likely come to Xbox
• Handheld gaming has become way more convenient. I can play most of the games I enjoy on an iPhone with a controller.

@Mythologue The one area PlayStation always pays some attention to is family games. From launching with Sackboy’s Adventure to this, PS5 is a console you can play games alongside your kids on.

One hopes that they lean into the usual Lego games penchant for humour and expand the character roster with some PlayStation favourites. Imagine being able to ignore all the stealth and hunting mechanics and just tear up the machines as a Lego Kratos!

Honestly I’d like a Lego Sunwing to sit next to my Tallneck!

If this is the story of thing that makes videogames players angry then I think they need to go outside for a bit for a walk.

In an age when it should be mandatory for all publishers at a software level we still don’t have things like universal rebinding of buttons for accessibility purposes and not all game soundtracks are available for purchase or streaming. How about the complete lack of any real family centric gaming titles I can play with my kids?

There is a lot in gaming to get irate about but covering up some female body parts ain’t one of them.

Screw the weapons: let us play through the entire campaign from start to finish. There is no good reason they keep it all vaulted away.

Perhaps CERO is ran by teenagers? Dismemberment gets shut down but boobs get a free pass.

Now do the same for mobile and release Locoroco on the iPhone!

How the heck did ScummVM get on the App Store back in December then?

They will have found a buyer before the end of the year.

Paying anything more than £20 for a game that becomes useless the moment the servers are gone is a complete waste of money.

@MFTWrecks I never enjoyed this bit. I like being the lone hero against the evil with no back up. Making it online only just spoils the illusion.

If you can’t play it offline yet by yourself then they need to keep trying until you can

This gen has 2 lost years of the pandemic and cross-gen games. It arguably didn’t get started until 2022 which means we shouldn’t really be getting a PS6 until 2029 at the earliest. I don’t think there is any thirst from gamers for a new gen any time soon, not when they could put resources into developing a new portable or a PS5 that actually fits under my TV.

EDF! EDF! EDF! EDF!

@BeerIsAwesome In Fortnite is all works yet looks so out of place in Destiny.